Bibliography

Last Year at Marienbad


Robbe-Grillet, Alain, L'Année dernière à Marienbad , Paris 1961; as Last Year at Marienbad , London and New York, 1962.


Cordier, Stephane, Alain Resnais; ou, La Création au cinéma, Paris, 1961.


Pingaud, Bernard, Alain Resnais, Lyons, 1961.


Bounourre, Gaston, Alain Resnais, Paris, 1962.


Cowie, Peter, Antonioni, Bergman, Resnais, London, 1963.


Miesch, Jean, Robbe-Grillet, Paris, 1965.


Alter, J. V., La Vision du monde d'Alain Robbe-Grillet, Geneva, 1966.


Durgnat, Raymond, Nouvelle Vague: The First Decade, Loughton, Essex, 1966.


Geduld, Harry M., editor, Film Makers on Filmmaking, Bloomington, Indiana, 1967.


Armes, Roy, The Cinema of Alain Resnais, London, 1968.


Graham, Peter, The New Wave, New York, 1968.


Prédal, René, Alain Resnais, Paris, 1968.


Ward, John, Alain Resnais; or, The Theme of Time, New York, 1968.


Bertetto, Paolo, Resnais, Alain Resnais, Italy, 1976.


Kreidl, John Francis, Alain Resnais, Boston, 1977.


Monaco, James, The Role of Imagination, New York, 1978.


Van Wert, William F., In the Theory and Practice of the Ciné-Roman, New York, 1978.


Thiher, Allen, The Cinematic Muse: Critical Studies in the History ofFrench Cinema, London, 1979.


Houston, Beverle, and Marsha Kinder, Self and Cinema: ATransformalist Perspective, New York, 1980.


Sweet, Freddy, The Film Narratives of Alain Resnais, Ann Arbor, Michigan, 1981.


Benayoun, Robert, Alain Resnais: Arpenteur de l'imaginaire, Paris, 1980; revised edition, 1986.


Vergerio, Flavio, I film di Alain Resnais, Rome, 1984.


Roob, Jean-Daniel, Alain Resnais: Qui êtes-vous?Lyons, 1986.


Riambau, Esteve, La cience y la ficcion: El cine de Alain Resnais, Barcelona, 1988.


Thomas, François, L'atelier d'Alain Resnais, Paris, 1989.


Alain Resnais, with Beiträgen von Wolfgang Jacobsen et al., München, 1990.


Instituto Franco-Portugûes de Lisboa, Alain Resnais, Lisbon, 1992.


Callev, Haim, The Stream of Consciousness in the Films of AlainResnais, New York, 1997.


Núria Bou, et al, Alain Resnais: viaje al centro de un demiurgo, Barcelona, 1998.


Fleischer, Alain, L'art d'Alain Resnais, Paris, 1998.


ARTICLES:

 

"Introduction à la méthode d'Alain Resnais et d'Alain Robbe-Grillet," in Lettres Françaises(Paris), 10 August 1961.


Robbe-Grillet, Alain, in Sight and Sound(London), Autumn 1961.


Interview with Resnais, in Cahiers du Cinéma(Paris), September 1961, reprinted in Films and Filming(London), March 1962.


Labarthe, Andre, "Marienbad Année Zero," in Cahiers du Cinéma(Paris), September 1961.


Brunius, Jacques, and Penelope Houston in Sight and Sound(London), Winter 1961–62.


Houston, Penelope, in Sight and Sound(London), Winter 1961–62.


Colpi, Henri, in New York Film Bulletin, no. 2, 1962.


Labarthe, André, and Jacques Rivette, "A Conversation with Alain Resnais and Alain Robbe-Grillet," in New York Film Bulletin, no. 2, 1962.


Resnais, Alain, "Trying to Understand My Own Film," in Films andFilming(London), February 1962.


Crowther, Bosley, in New York Times, 8 March 1962.


Brunius, Jacques, "Every Year at Marienbad; or, The Discipline of Uncertainty," in Sight and Sound(London), Summer 1962.


Oxenhandler, Neal, "MarienbadRevisited," in Film Quarterly(Berkeley), Fall 1963.


Taylor, John Russell, "Alain Resnais," in Cinema Eye, Cinema Ear(New York), 1964.


Stanbrook, Alan, "The Time and Space of Alain Resnais," in Filmsand Filming(London), January 1964.


Ollier, Jean, "Film et roman: Problèmes du récit," in Cahiers duCinéma(Paris), December 1966.


Pingaud, Bernard, "Nouveau roman et nouveau cinema," in Cahiersdu Cinéma(Paris), December 1966.


Roud, Richard, "Memories of Resnais," in Sight and Sound(London), Summer 1969.


Noguera, Rui, "Interview with Delphine Seyrig," in Sight and Sound(London), Autumn 1969.


Goldmann, Annie, "Muriel" and "L'Année dernière à Marienbad," in Cinéma et Societé(Paris), 1971.


Blumenberg, Richard, "10 Years after Marienbad," in CinemaJournal(Evanston, Illinois), Spring 1971.


Skoller, D., "Aspects of Cinematic Consciousness," in Film Comment(New York), September-October 1972.


Harcourt, Peter, "Memory Is Kept Alive with Dreams," in FilmComment(New York), November-December 1973.


Rocher, D., "Le Symbolisme du noir et blanc dans L'Année dernièreà Marienbad," in Etudes Cinématographiques(Paris), nos. 100–103, 1974.


Dupont, G., "Lieux du cinema: De Versailleà Marienbad," in Cinématographe(Paris), February 1979.


Armes, Roy, "Ricardou and Last Year at Marienbad," in QuarterlyReview of Film Studies(New York), Winter 1980.


Blaetz, R., "L'impiego della retorica in due film di Resnais," in Cinema Nuovo(Turin), August-October 1982.


Jones, Elizabeth, "Locating Truth in Film 1940–80," in Post Script(Jacksonville, Florida), Fall 1986.


Pisters, Patricia, "Passie onder steen," Skrien(Amsterdam), no. 193, December/January 1993–94.


Alemany-Galway, M. "Vid postmodernismens brytpunkt," Filmhaftet(Sverige, Sweden), vol. 23, no. 4, 1995.


Istomina, E. "Granitsy Marienbada," Iskusstvo Kino(Moscow), no. 11, 1996.


Kirsch, Walter, Jr., "Marienbad Revisited: A Feast for the Senses," Creative Screenwriting(Washington D.C.), vol. 3, no. 1, Summer 1996.


Mason, M., "Dodici armadi per arredare una residenza estiva," Forum, vol. 37, 1997.